Songs on Postcards
Do I have them all?
How would I know?
So, my fellow collectors, here is the dilemma. When do you stop looking for the last card(s) in a set? Do you pick a new collecting topic and hope that someday the missing card will appear from thin air? Do you say to yourself, I really don’t need that last one, I’ll just enjoy the ones I have.
There is always beautiful scenery when you live on a lakeshore. All four seasons are lovely, but there is one problem – there is only one serious postcard show in Minnesota.
The annual show in Egan is the best we have. A few years ago, I bought two postcards that illustrate the songs Auld Lang Syne and Rock of Ages. Since then, at other shows and online, I have found eight more. That makes ten. Do I have all of them?
I have not counted the number of people I have asked about these cards, but many collectors, dealers, and other postcard “authorities” have been unable to enlighten me. No one knows anything; not even the publisher’s name. If there are no more, how would I know to stop searching?
The songs are all special to me. They are the songs I heard as a young girl back east. In the hills of Maryland, in the 1940s and 1950s, Christian Revival meetings were common. My parents took me to those meetings, and they loved to sing. That is why I like these cards; each one leads down a different memory lane.
Auld Lang Syne is a traditional song around the world. It is often heard at the stroke of midnight on December 31st – New Year’s Eve – when bidding farewell to an old year. It is also sung at graduations, retirements, and funerals.
Ave Maria may be the second most popular song after Happy Birthday. Composed by Franz Schubert in 1825 as “Ellen’s Third Song,” it was one of seven songs meant to go with the narrative poem, The Lady of the Lake by Sir Walter Scott. It is not a religious song, but the churches have adopted it as a means of praising the mother of Jesus. Ave Maria sends chills down the spine of anyone who hears it.
The melody of “Columbia, the Gem of the Ocean” is the same as the British song “Britannia, the Pride of the Ocean” which is thought to have been composed around 1843. When it became an American patriotic song with new lyrics in the late 19th century no one could tell which song begat the other. When it made its way to America as Columbia the Gem of the Ocean it was frequently used as an unofficial national anthem.
Dixie Land, includes the phrase, “I Wish I Was in Dixie.” When I was a kid, whenever this was sung in public someone in the crowd would yell, “I wish you were in Dixie, too!” or “Then, get going.” Everyone would laugh, but no one left the room. The song is about the southeastern United States. It may have first appeared around 1859 as a folk tune and it is given credit for the word “Dixie” becoming part of American slang.
In the Gloaming. “Gloaming” is an ancient word for dusk or twilight. In the 1950s it was a popular tune sung by Jo Stafford and Gordon MacRae. The lyrics help a listener conjure up thoughts of aging and being elderly lovers who are anticipating their future.
Killarney is a song dear to the hearts of those who came to America after the potato famine. The lyrics reminisce over the part of Ireland around County Kerry and the city of Killarney. Killarney sits on the shore of Lough Leane, a place of much lore and love.
Lead Kindly Light is an English hymn. The lyrics were written as a poem in 1833 by Saint John Henry Newman. The poem Pillar of the Cloud was first published the following year in a publication called the “British Magazine.” As a young priest, Newman became sick while in Italy and was unable to travel for almost three weeks. In his own words he wrote about his poem, “I have a work to do in England. I was aching to get home, yet for want of a vessel I was kept at Palermo for three weeks. I began to visit the churches, and they calmed my impatience, though I did not attend any services. At last I got off in an orange boat, bound for Marseilles.”
Rock of Ages is a Christian hymn with lyrics fit for a male tenor. The melody is quite slow in tempo and the tune lingers in memory. Back in those early years I mentioned, the rock of ages hymn was a favorite of Billy Graham’s sidekick George Beverly Shea. In an interview conducted on national television, Billy Graham said of Bev Shea that, “he doesn’t really sing songs, he sings sermons.”
The Village Blacksmith is a song inspired by “The Village Blacksmith” a poem published in 1840 by Henry Wadsworth Longfellow. In the poem Longfellow describes a blacksmith as he goes about his daily routine. He is portrayed as a role model who leads his life as a family man and a member of society through his job. There is a fanciful legend that tells how a tree mentioned in the poem was cut down and a chair was made from its lumber. The chair was presented to Longfellow by the local schoolchildren, and he treasured that chair for the rest of his life.
The world’s most famous wedding march is the one heard at about ninety percent of all weddings in western civilizations – Mendelssohn’s Wedding March from “A Midsummer Night’s Dream.” Mendelssohn composed two pieces often used as wedding marches, one in 1826 that through the years has come to be considered the very first concert overture. It is his second effort in that genre that is his famous wedding recessional.
Please do not confuse Mendelssohn’s wedding recessional with Wagner’s “here comes the bride” which is heard at the beginning of Act III of the opera, Lohengrin. Composed in 1850, Here Comes the Bride,” has become the world’s most popular bride’s processional. It is most appropriately played on a pipe organ, an instrument favored by Wagner.
Now that you have read about these songs, perhaps you know why I would like to find more of these cards.